When the Oven Opens,
the Performance Happens
Monthly programme starting in january 2026
Monthly programme starting in january 2026
A fire has burned. A body has moved.
Now, the kiln opens — and the performance begins.
This unique artistic event brings together the worlds of contemporary art and contemporary dance in a shared moment of transformation, revelation, and ritual. As the ceramic oven opens to unveil a newly fired piece, performers respond in real time, translating heat, tension, and emergence into movement, presence, and space.
Pedra no Rim, a community-driven collective, gathers and reconstructs the overlooked pieces of our urban leftovers, those traces that lie beneath our feet or fade from memory. Their work is a tangible reclamation of place and history, knitting together the city’s forgotten narratives.
Alongside them, Oficina Zero, a contemporary dance project committed to occupying the city through the physical body, brings movement as a living force — a dialogue between flesh and concrete, presence and place.
Together, they invite you to witness a unique encounter where the built environment, collective memory, and the body’s movement converge — transforming public space into a canvas for artistic and communal reflection.
The audience is invited to witness this unfolding as a single, live artwork: matter meeting body, process becoming performance.
The opening of the ceramic oven marks the symbolic and literal start of the performance
A site-specific experimental contemporary performance unfolds in response to the energy of that moment
Improvisation, form, heat, and vulnerability come together in a shared ritual of creation
What does it mean to be a freelance artist today? Between unstable income, inconsistent opportunities, multiple side jobs, and constant self-promotion, freelance artists often live in a loop of creative intensity and systemic burnout.
This conversation opens up space to talk honestly about the economic, emotional, and logistical complexities of freelance life — while also looking at the freedoms, strategies, and alternative models that artists are inventing to survive and thrive.
Emotional, physical, and financial exhaustion — who’s talking about it?
What support structures do we need to build?
What drives creation today: urgency or visibility?
How to sustain an artistic practice that resists commodification?
How do we integrate emotional, physical, and relational care into creative processes?
Can care be a tool of resistance?
Creator vs Co creator vs Performer
What is working as a co creator?
What makes me an author of an artistic work?
Director vs Co creator
Alternative Economies of Art
Surviving beyond funding systems and institutional expectations
Models of collaboration, co-production, resource sharing
My dreams, my needs, my wishes, my advices
What do i miss in the community to keep growing or developing as an artist
What can I do?
How do I look for it?